Batik Tulis (Traditional) Equipment

 

From time to time the process of making batik traditionally hasn’t changed much up to now. Looking at the forms and functions of batik equipments are very traditional and unique, suitable with the ways which are still traditional. The traditional batik equipment is a part of the traditional batik itself, because if the change is done by using modern machines, it will change the name of traditional batik into batik motive cloth. It shows that the way to make batik has a special characteristic with the result of the traditional batik art. If we see from the time and amounts produced, they are quite limited and the art creation from the canting drawing onto mori cloth which will produce the relatively expensive and valuable batik art.Batik equipment consists of:

1. Gawangan (Frame)

  

The gawangan is an apparatus for holding and spreading the cotton cloth while batiking. The gawangan is made of wood or bamboo. It must be constructed in such a way that it can easily be moved about, but is strong and light.

2. Bandul (Weight)

 

The bandul is a peg of pocketed tin, wood or stone. Its primary function is to hold the newly batiked cloth so that it can not be blown about by the wind or accidentally displaced by the batiker. Therefore, without the bandul, the batik process can still take place.

3. Wajan (Pan)

The wajan is an implement in which the wax used in batiking is melted. It can be made of iron or clay. The better pan has a handle, making it easier to lift from and put down on the brazier without the use of a auxiliary tool. Therefore, the wajan made of clay is better than that of metal, because its handle does not retain heat. On the other hand, it takes longer to heat the wax in a clay wajan.

4. Anglo (brazier)

The anglo can be made from clay or other material. It is a brazier, the heater of wax. The anglo uses charcoal for firing. Firewood is used with keren, also a brazier: the keren is more commomly used than the anglo by the villagers. In principle, the keren is the same as the anglo, but it is not split-leveled.

5. Tepas (Fan)

The tepas is an implement made of bamboo to increase the fire as needed. Other than the tepas, the ilir may also be used. Basically, the tepas and the ilir are the same, differing ony in shape. The tepas is rectangular and pointed on one of its long sides with the handle extending form that point. The ilir is a square with the handle being an extension of one of the sides. The tepas and the ilir are fans for fanning the fire. 

6. Taplak (Napkin)

The taplak is a napkin for covering the lap of the batiker so as to protect from drippings of the hot liquid wax when blowing up the spout of the canting or when batiking. The napkin is usually a piece of used cloth.

7. Saringan malam (Wax Strainer)

The saringan is an implement for straining the hot wax as the wax is usually quite dirty. Straining the wax allows the scum to be discarded, so that it will not interfere with the fluent running of the wax through the spout of the canting while batiking.

8. Dingklik, linchak (Stool)

The dingklik and the linchak are, in principle, the same, that is very low stools for the batiker to sit upon. However, the batiker may also sit on a mat. The height is adjusted with the height of person sitting when making batik..

9. Kemplongan

 
Kemplongan is a tool made from wood of which form is like table and hammer and it’s used to soften the mori cloth before it’s given batik motif pattern and made.

10. Canting

The canting is the primary utensil used in the batik process which determines whether the results of the work may be called batik or not. The canting is used to write (draw with liquid wax), making the batik motifs desired. It is made of copper with the mixture of wood or bamboo. Copper has the quality of lightness, is easily bent, and is strong, though thin..

11. Mori (Cotton cloth)

Mori is the raw material used in batiking. There are many qualities, and the type used very much determines the nature of the resultant batik. The mori required varies with the kind of finished cloth desired.

12. Malam (Wax)

Wax is the material used to batik. The wax is not used up (lost) until it is removed during the final process (the washing process), when the cloth is turned into an ornamented textile (batik cloth). Click here to read more!

Good News For Indonesian People!

Well, lately some of our culture has been claimed by Malaysia like Batik, Wayang, Rendang and Pendet dance, which we all (even the tourists) know that Pendet is from Bali. But hey! There's a good news for all! Apparently, UNESCO, the one who manages cultures around the world has claimed that Batik is Indonesian's culture. I repeat, Batik is Indonesian's culture =D. Here's the full news about it.

From The Jakarta Post:

Batik selected for UNESCO cultural heritage list

Indonesians have been asked to wear batik on Oct. 2, following UNESCO’s decision to add the traditional dyeing technique to its Intangible Cultural Heritage list.
The listing, which will give the age-old batik tradition some degree of protection under the UNESCO charter, will be made official at an event in Abu Dhabi, the United Arab Emirates, between Sep. 28 and
Oct. 2.
To acknowledge the listing, President Susilo Bambang Yudhoyono has asked all Indonesians to wear batik.
“Batik is regarded as a cultural icon with its own uniqueness. It contains symbols and a deep philosophy of the human life cycle — and it was submitted by Indonesia as a non-material element of cultural heritage,” Coordinating Minister for the People’s Welfare Aburizal Bakrie told a press conference at Bogor Presidential Palace on Monday.
“We’ve been told that batik has been recognized as an element of global cultural heritage produced by Indonesians. The President has called on all Indonesians to wear batik on Oct. 2, to celebrate batik.”
Batik is a wax-resistant dyeing technique used on textiles. Due to modern advances in the textile industry, the term is also used for fabrics incorporating traditional batik patterns that are not necessarily produced using traditional batik techniques.
In the past, Indonesians, mostly adults, wear batik only at formal events. Nowadays it has become increasingly popular even among the younger generation with batik factories starting to manufacture more wearer-friendly and fashionable batik outfits.
Many office workers now wear batik on a daily basis, while local designers compete to produce more attractive designs.
While batik originated in Javanese courts, several other regions in Indonesia also have their own styles of batik. The fabric is also widely worn in countries such as Malaysia, Singapore and Thailand.
Aburizal explained that the jury team from UNESCO, before declaring batik an element of global cultural heritage, had inquired about the origins of Indonesian batik, on the government’s protection of it and to what extent batik was a part of local community life.
Culture and Tourism Minister Jero Wacik said batik was therefore Indonesia’s third tradition to secure UNESCO’s recognition as an element of non-material global cultural heritage.
In 2003, the UN body named wayang (Indonesia’s traditional shadow puppets) and keris (traditional wavy blades) as elements of non-material cultural heritage.
“And now we are submitting angklung (traditional musical instrument made of bamboo) as an element of global cultural heritage from Indonesia,” Jero said.
“We will keep fighting for our heritage one tradition at a time.”

Here's from VIVANews:

Indonesian Batik Recognized by UNESCO

The recognition given by the UN agency for education and culture (UNESCO) on batik, which is Indonesia’s cultural heritage, has pleased batik artists in Solo. They expected the recognition would be able to end the polemic between Indonesia and Malaysia on the claim over batik.

However, the artists said it was hard to maintain and prove the fact that batik is Indonesia’s original art. “The hardest parts are retaining and proving, because we know that batik-making techniques have existed since thousands years ago,” the Head of Paguyuban Kampoeng Batik Laweyan Solo, Alpha Febela said to VIVAnews in Solo on Tuesday, September 2009.

He also said the techniques were not coming from Indonesia. Only out of several countries, the most rapid batik development took place in Indonesia. “Some said batik-making techniques from Middle East and Mesopotamia made its way to Indonesia together with the teaching of Islam. But, the biggest development occurred here, like the richness of the motives,” Febela said.

UNESCO’s recognition, he said, has been a great motivation to the batik artists to confidently expand their batik business especially now that the artists are in high spirit to go international. “It is expected to boost the production and the sales of batik in the future,” he said.

Malaysia’s claim over batik, which surfaced several times ago, according to Febela, did not affect batik exports market. “Probably, it is a just psychological effect. To us, the claim is merely a rumor because there isn’t any rejection over our exports to Malaysia,” he said.

Meanwhile, the Secretary of Paguyuban Kampung Wisata Batik Kauman Solo, Makmun Puspanegara said he was quite happy about UNESCO’s recognition. In Solo, batik industry started to grow rapidly in 2006.

“A few years before, there were only about sixteen batik artists in Kampung Kauman Solo. Now, there are around fifty of them,” Puspanegara said.

On the patterns of batik, he acknowledged that the number is pretty significant. They have even existed since the era of Kasunanan Palace in Surakarta. “Paguyuban batik Kauman has also helped gathering batik motives up to 500 kinds. The motives would later be registered and patented,” Puspanegara said.

He also appreciates President Susilo Bambang Yudhoyono’s intention to include batik making in school curriculum. Therefore, students would be familiar with batik as one of Indonesia’s cultural heritage.

And the last one is from The Jakarta Globe:

Unesco Lists Batik As Indonesian Cultural Heritage

Bogor. The United Nations Educational, Scientific and Cultural Organization has officially recognized batik as an Indonesian cultural treasure, Coordinating Minister for People’s Welfare Aburizal Bakrie said on Monday.

“We have received notification from Unesco that batik has now been listed as part of Indonesia’s cultural heritage,” Aburizal said after attending a cabinet meeting chaired by President Susilo Bambang Yudhoyono at Bogor Palace in West Java.

Unesco, according to Aburizal, would make public its decision to recognize batik as a unique hallmark of the country’s heritage during a meeting of the Intergovernmental Committee of Intangible Heritage, held from Sept. 28 to Oct. 2 in Abu Dhabi, United Arab Emirates .

To celebrate batik’s recognition, he said, Yudhoyono had appealed to the public at large to wear batik as a sign of respect for the culture. “The president has asked us to preserve our culture.”

The government has conducted field research since 2008 involving batik-producing communities and experts in 19 provinces across the country in preparation for the nomination of batik as a cultural artifact.

“Batik is not only considered part of Indonesia’s cultural heritage, but is also now recognized as a representation of humanity’s culture,” Aburizal said, adding that as a traditional cloth, batik was rich in value as well as cultural inheritance.

Meanwhile, Culture and Tourism Minister Jero Wacik said that in 2003, Unesco recognized wayang kulit , or shadow puppets, and a traditional dagger as aspects of the country’s cultural heritage, adding that it would continue to seek Unesco recognition of its cultural artifacts. 

Our Thoughts

Well, basically we're really, REALLY happy. We mean, who aren't happy when your culture are now recognized by UNESCO. This will make clear who's the right owner of Batik, right??? Hopefully, UNESCO will recognized ALL of Indonesian's cultures and there will be no claiming like now....

Click here to read more!

Batik's Patterns

In Indonesia, there are a lot of patterns and colors of Batiks. Each of this patterns has a meaning in it. A batik's pattern in one place is different with the others. That's why we have A LOT of it. In this post we'll show you some of the famous Batik's patterns in Indonesia, and of course the history about it too.

The History
Kinds of Batik's colors and patterns are influenced by various foreign influences. At first, batik has limited kinds of patterns and colors, and some of the patterns can only be used for limited people. But coastal batik absorbs all kinds of foreign influences, such as foreign traders and the colony. Bright colors such as red is popularized by Tionghoa, which is also popularize phoenix pattern. European colony also take an interest in Batik, and the result are flower patterns which was unrecognized before (such as tulip) and also thing that were brought by the colony (buildings or carriage), including their favorite colors like blue. Traditional batik stil maintains their patterns, and are still used in custom ceremony, because usually each of the patterns has their symbolization. Some of Batik's patterns can show someone's social status. Even until today, several Batik's patterns are only used by the family of Yogyakarta and Surakarta' palace

Example of Batik's patterns in Indonesia
Here are the examples of  Batik's patterns in Indonesia:

1. Megamendung Batik from Cirebon

2. Buketan Batik from Pekalongan

3. Parang Rusak Batik from Java

4. Tiga Negeri Batik (A Mix of Lasem, Pekalongan and Solo)

5. Jawa Hokokai Batik from Pekalongan

 

6. Lasem Batik from East Java

7. Jlamprang Batik from Yogyakarta

8. Asmat Batik from Papua

Here's a list of ancient batik motifs in Indonesia:

1 Abdi nyamoe 2 Adoe manis 3 Agar-agar 4 Ajam poegér latar iréng. 5 Alas kobong 6 Alas-alasan 7 Alas-alassan latar ireng 8 Aloes ing nálá 9 Ambar sekar 10 Ampëk 11 Anak ayam 12 Anggoer 13 Anggoer kripik. 14 Anggoer latar poetih 15 Anggrek 16 Anggrek Beton 17 Anggrek sitangsoe 18 Angin-angin 19 Angin-angin kampoeng 20 Angin-angin katjang Tjina 21 Angin-angin latar irëng. 22 Angin-angin Madoeran 23 Angin-angin panyen 24 Angin-angin pléntong 25 Angin-angin sawoet 26 Angin-angin séprantoe 27 Angin-angin seprantoe latar ireng 28 Angkloeng jiwá 29 Angreni 30 Ardikoesoemá latar poetih 31 Ardikoesoenä 32 Aroem Ndaloe 33 Asmarandono 34 Asoep kana latar 35 Ayam 36 Ayam Alas 37 Ayam Poeger 38 Babon Angrem 39 Badèrran latar iréng 40 Baita Kandas 41 Baitá kandas latar poetih 42 Bak bayá 43 Balagbag 44 Baloembangan 45 Balok bosok 46 Bandji 47 Bandji Bengkok 48 Bandji bèngkok latar poetih. 49 Bandji ganggong latar iréng. 50 Bandji Goeling	51 Bandji kasoet latar poetih. 52 Bandji latar ireng 53 Bandji latar poetih 54 Bandji likassan latar irëng. 55 Bang Sënen 56 Bango 57 Bango boetak 58 Bango tontong 59 Bantji tjoka 60 Banyak angrém 61 Banyak ngéndog 62 Banyak rémbyang 63 Bantji 64 Bantji kasoet 65 Bantji kémbang 66 Bantji koeroeng 67 Banyi TjéTjèk 68 Banyi Tjiná 69 Banyi toetoep 70 Baris kondoer 71 Baris kondoer latar poetih. 72 Barong asepak 73 Barong latar poetih 74 Barong sèpoeh 75 Basoeto 76 Batawi 77 Batik ayam 78 Batik ho 79 Bayangkari 80 Bayém bang 81 Bayoel ngantang 82 Bekiking 83 Bekingking latar iréng. 84 Békoetahan 85 Bèlah kétoepat 86 Bèlinyon 87 Bëndóe ségara latar poetih 88 Béri kablak 89 Bëtawen 90 Betet 91 Betetan 92 Bibis pistä 93 Bibis pista latar irèng 94 Bintang Loehoer 95 Bintang latar ireng. 96 Bintang Loehoer 97 Bintang Wadjib 98 Bintangan 99 Bintangan latar iréng 100 Blabagan	101 Blandaran 102 Blarak sinampan 103 Blarak sineret 104 Blédeg 105 Blibar 106 Bligin Goerdo 107 Boeah Anggoer 108 Boeloe rambat 109 Boeloe rambat latar irëng. 110 Boeloes angrém 111 Boeloes ngérong 112 Boenga Melati 113 Boental 114 Boental latar poetih 115 Boental Manten 116 Boerbajäsá latar ireng 117 Boerbäkará latar poetih 118 Boerbayasa 119 Boeroeng gaok 120 Boeroeng Piknik 121 Boeroeng Tjolombo 122 Boeroeng yoewi 123 Boewah anggoer dimakan oelat 124 Bogém binalik 125 Bolodewo 126 Bondet 127 Bondèt latar ireng 128 Bongkang sémbayang 129 Brámärä latar iréng 130 Bribil 131 Byoer 132 Dablang 133 Dablang latar iréng 134 Dablang latar poetih 135 Dahon anggoer 136 Dalima wantah latar poetih 137 Dara Gelar 138 Därá gelar latar iréng 139 Ddjadjakoesoema 140 Ddjaladri 141 Délereng 142 Dèlimá wantah 143 Déngkloeng 144 Djäjákartälá latar poetih. 145 Djäjäkartiká latar irëng 146 Djäjákiränä. 147 Djäjákoesoema latar irëng 148 Djájáséntanä latar irëng 149 Djala sèrimpang 150 Djaloe Mampang
151 Djambe Tjepot 152 Djambé tjépot latar poetih. 153 Djamblang 154 Djamblang latar poetih. 155 Djamblang miring 156 Djamblang Tjilik 157 Djanger 158 Djanggléng latar irëng. 159 Djangkaran 160 Djangkarran latar irëng. 161 Djangkoeng koening 162 Djantoeng hati 163 Djántra kémbar 164 Djarak koeroeng 165 Djati koemoro 166 Djawah 167 Djáyákoesoemá 168 Djáyárésmi 169 Djayeng 170 Djélamprang 171 Djèmprit latar irèng 172 Djendral minoem 173 Djèng Nálá 174 Djengkollan latar irëng. 175 Djéntik manis latar poetih 176 Djobin 177 Djodipati 178 Djoebinan 179 Djoedjoekaring latar iréng 180 Djoempoettan latar irëng. 181 Djoewita 182 Djoko lola 183 Djolen 184 Djolo Nidri 185 Djong ranté latar poetih 186 Djoyo djotro 187 Djoyokirono 188 Djoyokoesoemo 189 Djoyomoelyo 190 Djoyosentono 191 Doeda brengos 192 Doedä brèngos latar irèng 193 Doeda gamblok 194 Doeda gèloet 195 Doemeling 196 Doerjadäná latar poetih 197 Doro Sadjodo 198 Elar 199 Eloeng 200 Emplek	201 Endas Maling 202 Endas maling latar poetih 203 Endog rémèk 204 Endol-endol 205 Endol-èndol latar iréng 206 Erang-erangan 207 Esoek sore 208 Gabah sinawoer 209 Gabah sinawoer latar poetih 210 Gadjah biráwä latar poetih 211 Gagak ngaoeb 212 Gagak setrá 213 Gambir Anom 214 Gambir anom latar poetih 215 Gambir Saketi 216 Gambir sakéti latar poetih. 217 Gambir sawit 218 Gambir sawit latar poetih 219 Ganda koesoemo 220 Gándásoeli 221 Gándáwiyayá 222 Gandoe 223 Gandosan 224 Gandossan latar iréng. 225 Gandroeng 226 Ganggeng 227 Ganggong 228 Ganggong barès latar ireng 229 Ganggong bèngkokkan latar irëng 230 Ganggong bintoeloe latar irëng 231 Ganggong boeloes 232 Ganggong Branta 233 Ganggong bräntá latar irëng 234 Ganggong djoebin 235 Ganggong djoebin latar iréng 236 Ganggong Garoet 237 Ganggong garoet latar irëng 238 Ganggong joedjana latar ireng 239 Ganggong kapoendoeng 240 Ganggong Kebar 241 Ganggong kèbar latar ireng 242 Ganggong këmbang latar poetih 243 Ganggong koeroeng latar irëng 244 Ganggong kraton 245 Ganggong kraton Soemenep 246 Ganggong latar poetih 247 Ganggong Lerep 248 Ganggong lèrèp latar irëng 249 Ganggong madoebrántä latar irëng 250 Ganggong Madoerá	251 Ganggong njamploeng iréng 252 Ganggong paningrat latar iréng 253 Ganggong rante 254 Ganggong ranté latar irëng, 255 Ganggong Ranti 256 Ganggong ranti latar irëng 257 Ganggong rèjab latar iréng 258 Ganggong sapit 259 Ganggong Sari 260 Ganggong sari latar irëng 261 Ganggong seprantoe latar iréng 262 Ganggong sidákrama 263 Ganggong sinapit 264 Ganggong soepit 265 Ganggong srandil latar iréng 266 Ganggong tèdjá latar iréng 267 Ganggong tjéplok latar poetih 268 Ganggong tjoerigá latar ireng 269 Ganggong Toerki 270 Ganggong toerki latar irëng 271 Ganggong wibáwä latar irëng 272 Ganggong Yoedjono 273 Ganggong yoenan 274 Ganthi 275 Garoedá latar iréng 276 Gayam roentoeh 277 Gébar sé 278 Gédagan latar irëng 279 Gèdang sélirang 280 Gedangan 281 Gegot 282 Gembel 283 Gembirowati 284 Gémék taroeng 285 Géndagan 286 Gèndani 287 Gendhono 288 Gendolo Giri 289 Germén 290 Girang Tjampoer 291 Girang tjampoer latar poetih 292 Giringsing 293 Glathik Madrim 294 Glebag 295 Godong pring 296 Godong soekoen 297 Godong yarak 298 Godongan 299 Goenardijáyá 300 Goenáwidjájá latar poetih
301 Goenoeng Sari 302 Goerdo Rodjo 303 Goerdo Yekso 304 Goerit Wesi 305 Goerit wësi latar ireng. 306 Goesti poetri 307 Golang Galing 308 Golang-galing 309 Gondang-gandoeng 310 Gondäsoeli latar poetih 311 Gondosoeli 312 Gong Gomino 313 Grageh Waloeh 314 Grènyiling 315 Grésik 316 Gringsing 317 Gringsing aloes 318 Gringsing angoen-angoen 319 Gringsing arya-arya 320 Gringsing ayam poeger 321 Gringsing bagenda 322 Gringsing kawoeng 323 Gringsing Koesoemagoena 324 Gringsing kawot 325 Gringsing Kloengsoe 326 Gringsing kloengsoe latar irèng 327 Gringsing lalampahan 328 Gringsing latar poetih, 329 Gringsing loeng anggoer 330 Gringsing loeng ing sih 331 Gringsing loeng lango 332 Gringsing oedajanaloes 333 Gringsing pálä latar irëng 334 Gringsing pamasah 335 Gringsing Pándawa 336 Gringsing Pándawa jaya 337 Gringsing Panjaloe 338 Gringsing Parta Awiwaha 339 Gringsing Rámáyana 340 Gringsing Ráwantaka 341 Gringsing ringgit 342 Gringsing Sangoepati 343 Gringsing Sangoepati 344 Gringsing sèsémenan 345 Gringsing silir ing maroeta 346 Gringsing Sisik 347 Gringsing sisik latar poetih 348 Gringsing Tjanggoe 349 Gringsing wajang latar poetih 350 Gringsing wayang	351 Gringsing pandawa jaya 352 Gringsing wayang lelakon rayoena tapa 353 Gringsing wayang lelakon Samba lalana 354 Gringsing Wirata 355 Gringsing yagaTjatroe 356 Grinsing Lintang 357 Grompol 358 Grompol latar ireng. 359 Grompol Tjilik 360 Grompolan 361 Harddjoeno Mangsah 362 Higoel-higoelan 363 Ikan Emas 364 Imá krèndá 365 Imá-imá 366 Imá-imá tatit 367 Imä-imá tatit latar poetih 368 Imo krendo 369 Intip ijan 370 Irisan pandan 371 Iris-irisan pandan 372 Kadèle wontá 373 Kagok ing klitik 374 Kahwá péTjah 375 Kahwá woengkoel 376 Kaïn Karet 377 Kaïn Prankèmon 378 Kaïn Raden Ayoe Saleh 379 Kakaryoen 380 Kálá jéngking 381 Kalamkare 382 Kalong Alit 383 Kalong Sari 384 Kandoeroewan 385 Kanigärä latar iréng 386 Kanigoro 387 Kantet 388 Kantil 389 Kapal Api 390 Kapal kandas 391 Kapal kéroek 392 Kapal layar 393 Kápálá slendang 394 Kapas 395 Kapidondong 396 Kapidongdong latar irëng 397 Kapiréntá 398 Karana 399 Karang mélok 400 Karetan	401 Kartika loka 402 Karwain 403 Katjang Wose 404 Kate mas 405 Katesan 406 KaTjeloeng 407 KaTjipoetan 408 Kawoeng 409 Kawoeng bendi 410 Kawoeng bligon 411 Kawoeng boelan 412 Kawoeng Boental 413 Kawoeng brántá 414 Kawoeng Brátáyoeda 415 Kawoeng Brendi 416 Kawoeng brèngos 417 Kawoeng bribil 418 Kawoeng dompol 419 Kawoeng eTjek 420 Kawoeng gagak 421 Kawoeng Gamblok 422 Kawoeng ganggong 423 Kawoeng garoedá 424 Kawoeng Gringsing 425 Kawoeng katoenggeng 426 Kawoeng kémiri kopong 427 Kawoeng kémplang 428 Kawoeng kémplang latar poetih 429 Kawoeng Kepyar 430 Kawoeng Koesoemagoena 431 Kawoeng Kopi PeTjah 432 Kawoeng latar poetih. 433 Kawoeng Madoera 434 Kawoeng pèTjah 435 Kawoeng pitjis 436 Kawoeng pitjis latar poetih. 437 Kawoeng poetri 438 Kawoeng Praboe 439 Kawoeng rájá 440 Kawoeng rante 441 Kawoeng sari 442 Kawoeng sari latar poetih. 443 Kawoeng Sawoet 444 Kawoeng Sen Goerdo 445 Kawoeng sewoe 446 Kawoeng TjaTjah Gori 447 Kawoeng Tjákrá 448 Kawoeng Tjépiring 449 Kawoeng tritis 450 Kayoe angrémit
451 Kayoe Tjiná 452 Kébar 453 Kédrah sená 454 Kejongan latar irëng. 455 Kékémbangan 456 Kèléngan 457 Kémádá 458 Kémáda géndoelan 459 Kémádá salangan 460 Kémádá satriyá manah 461 Kèmádá sékar katela 462 Kèmada soengging 463 Kémbang anggoer 464 Kémbang anggrek 465 Kembang Asem 466 Kembang asèm klewer 467 Kèmbang asém koeroeng 468 Këmbang asém latar iréng 469 Kémbang awi 470 Kèmbang bakoeng 471 Këmbang bèstroe latar poetih 472 Kémbang blimbing 473 Kémbang blimbing latar ireng 474 Kèmbang blimbing latar poetih 475 Kémbang boengah roempoek 476 Kémbang dalimá 477 Këmbang djamboe latar irëng. 478 Kembang djarak 479 Kémbang djarak latar poetih. 480 Kembang djemboel 481 Kémbang djémboel latar irëng. 482 Kembang djeroek latar irëng. 483 Kémbang doeren 484 Kémbang gadoeng 485 Kembang Gambir 486 Këmbang gambir latar iréng 487 Këmbang gambir latar poetih 488 Kémbang ganggong 489 Kémbang gayam 490 Kembang Gempol 491 Kémbang gèmpol koening 492 Kémbang gëmpol latar iréng 493 Kèmbang genjret 494 Kèmbang glagah 495 Kèmbang janggél 496 Kémbang jarak 497 Kémbang jati 498 Kémbang jèpoen 499 Kémbang jèroek 500 Kémbang jéroek koeroeng	501 Kémbang kangkoeng 502 Kembang Kantil 503 Kémbang kapas 504 Kembang kapas baris latar iréng 505 Kembang kapas kapita latar ireng 506 Kembang kapas latar ireng. 507 Kèmbang katelá 508 Kèmbang kates 509 Kèmbang kaTjang 510 Kèmbang kaTjang Tjina 511 Kémbang kaTjeloeng 512 Kembang Kenikir 513 Kembang kénikir latar iréng. 514 Kémbang kéntang 515 Kémbang kéntang latar ireng 516 Kémbang képèl 517 Kèmbang këtongkèng latar irëng. 518 Kembang Kipas Baris 519 Kembang kloewih 520 Kémbang koeroeng 521 Kèmbang kopi 522 Kémbang koro 523 Kémbang lek 524 Kémbang lombok 525 Kembang Manggar 526 Kembang manggar latar poetih 527 Kembang manggis latar ireng. 528 Kémbang mawar 529 Këmbang mindi latar poetih. 530 Kèmbang nanas 531 Kèmbang nanas boeloe 532 Kèmbang oeribang 533 Kembang pálá 534 Kémbang pare 535 Kémbang péndjalin latar iréng 536 Kembang Pepe 537 Kembang Pépé latar ireng 538 Kémbang pépé latar poetih 539 Këmbang pidjéttan latar poetih. 540 Kèmbang piyètan 541 Këmbang poedak latar irëng 542 Kembang Poedak Latar Poetih 543 Kèmbang pot 544 Kèmbang pring 545 Kémbang randoe 546 Kémbang randoe latar poetih. 547 Kembang ranti latar ireng 548 Kémbang régoelá 549 Kémbang sègérat 550 Kembang semak	551 Kémbang sëmak latar irëng 552 Kémbang sémboya 553 Kèmbang sèroeni 554 Kembang Sikatan 555 Kémbang sikattan latar iréng 556 Kèmbang soendoel langit 557 Kèmbang soeroeh 558 Kèmbang soewek 559 Kèmbang sore 560 Kèmbang sréngenge 561 Kèmbang tanyoeng 562 Kèmbang tanyoeng layon 563 Kémbang tarate 564 Kembang Tjengkeh 565 Kémbang téloeki 566 Kembang Telong 567 Kembang Temoe 568 Kembang Temoe-Selendang 569 Kémbang tiba 570 Kémbang Tjéngkeh 571 Kémbang tjéngkèh latar irëng. 572 Kèmbang Tjèpiring 573 Kémbang Tjina. 574 Kémbang tongkeng 575 Kémbang waloeh 576 Kembang Waroe 577 Kémbang waroe latar iréng. 578 Kémbang waron 579 Kémbang Wélándá 580 Kémbar 581 Kemladeyan 582 Kenaka 583 Kènángá 584 Kénanga di makan oelat 585 Kènángá jéntir 586 Kénángá jikét 587 Kènángá kampoeng 588 Kénängä latar iréng 589 Kenanga sari 590 Kèndagan 591 Kényat 592 Keong Emas 593 Keong Rambat 594 Kèpetek 595 Képiting latar poetih 596 Kèrangan 597 Kèraton 598 Kérisan 599 Kèsèmen 600 Kesoemo
601 Kestoebo 602 Kestoeri 603 Kethoprak 604 KéTjipiran 605 Kètongkeng 606 Kètower 607 Keyongan 608 Kidang kénTjáná 609 Kidjing Miring 610 Kidjing miring latar poetih 611 Kijing 612 Kijing wahäná 613 Kirnä mondä latar iréng 614 Kirno Mando 615 Klabang kamal 616 Klabangan 617 Kladoek manis 618 Klamboe latar poetih 619 Kláná latar irëng 620 Klanter 621 Klentang 622 Klewer 623 Klono Gandroeng 624 Kobardjo 625 Kodokan 626 Koeda Rante 627 Koekilá 628 Koekilo Asmoro 629 Koeldi 630 Koemitir 631 Koenir Pito 632 KoenTji 633 Koeping andjing latar ireng 634 Koepoe Anom 635 Koepoe gandroeng 636 Koepoe gandroeng latar irëng 637 Koepoe radja latar poetih 638 Koepoe Ranti 639 Koepoe Rawa 640 Koepoe rawis 641 Koepoe rawis latar poetih 642 Koepoe ráyá 643 Koepoe Taman 644 Koepoe toeroe 645 Koepon 646 Koepon latar ireng. 647 Koepon latar poetih 648 Koerá 649 Koesniá latar ireng 650 Koesnijá	651 Koesoemaningrat 652 KoeTjoeran 653 Kokrosono 654 Kolang-kaling 655 Komboran 656 Kongkang sembijang latar irëng 657 Kongkang sémbiyang 658 Kopi PeTjah 659 Kopi Petjah latar Poetih 660 Kotak Bodroyono 661 Kotak Slobok 662 KoTjak-kaTjik 663 Kowangan 664 Krambil SaTjoekil 665 Krambil satjoekil latar iréng. 666 KranTjis 667 Krété dédé latar iréng 668 Krokot lar 669 Krompol 670 Ladrang 671 Ladrang manis 672 Laleyan 673 Lamkare 674 Lamkarengan 675 Lapis latar irëng. 676 Lar 677 Lar moengä latar poetih 678 Lar Moengo 679 Lar rangkép 680 Lar sawat 681 Lárá Mèndoet 682 Laras ati latar iréng 683 Laras drijá latar irëng 684 Laras driyá 685 Laras Kongas 686 Lárás sèdoewá 687 Larasati 688 Láräsëdoewä latar iréng. 689 Lar-laran 690 Latar iyo 691 Lele ngarak 692 Lemed 693 Lengkong-lengkong 694 Lereng 695 Lereng Tjagak Talang 696 Lereng TjoeTjoek beloet 697 Leter 698 Limar 699 Limar galing 700 Limar kèdaton	701 Limar kémbang 702 Limar kètangi latar irëng 703 Limaran 704 Limaran Ketangi 705 Limaran latar ireng 706 Lindri 707 Lintang alih 708 Lintang trënggänä latar irëng. 709 Lintang Trenggono 710 Lintrik 711 Liris Poetih 712 Liris Tjemeng 713 Imá ranoe latar iréng 714 lmá-imä krénda latar poetih 715 lmä-imá tatit latar poetih 716 Loekito 717 Loeng 718 Loeng adas 719 Loeng adas latar irëng 720 Loeng adas latar poetih 721 Loeng anggoer 722 Loeng Bentoel 723 Loeng béntoel latar ireng 724 Loeng dalimá 725 Loeng dinar latar irëng 726 Loeng ETje 727 Loeng étjé latar irëng 728 Loeng gadoeng 729 Loeng gadoeng latar irèng 730 Loeng ganggéng 731 Loeng Gedawoeng 732 Loeng gedawoeng latar irëng 733 Loeng girang latar ireng. 734 Loeng Goemampir 735 Loeng kangkoeng 736 Loeng kangkoeng latar poetih 737 Loeng kare 738 Loeng katelá 739 Loeng kènaren 740 Loeng kënari latar irëng 741 Loeng kénèkër latar ireng 742 Loeng Kepet 743 Loeng Ketongkeng 744 Loeng këtongkèng latar irëng 745 Loeng klengkeng 746 Loeng klewer 747 Loeng klèwèr latar irëng 748 Loeng krantil 749 Loeng krokot 750 Loeng krokot latar iréng
751 Loeng krokot latar poetih 752 Loeng kroto 753 Loeng lèmèt latar ireng 754 Loeng manis 755 Loeng mawar 756 Loeng oeris latar iréng 757 Loeng pakis 758 Loeng pakis latar iréng 759 Loeng pakis latar poetih 760 Loeng paTjar 761 Loeng pèniti 762 Loeng Pernis 763 Loeng përnis latar iréng 764 Loeng régoelon latar poetih 765 Loeng sekotji latar poetih 766 Loeng semanggèn latar ireng 767 Loeng Sembagen 768 Loeng Sembodjo 769 Loeng sëtlop (ook wel këstlop) latar irëng 770 Loeng Slop 771 Loeng slop of setlop latar ireng. 772 Loeng srimpi latar poetih 773 Loeng Tandjoeng 774 Loeng tëlëng latar poetih 775 Loeng the 776 Loeng tjandi latar ireng 777 Loeng Tjempaloek 778 Loeng waloeh latar ireng 779 Loeng Widoeri 780 Loeng-loengan 781 Loer keong 782 Loer setrá 783 Lok Tjoan 784 Lokananta 785 Long Dawoeng 786 Lontang 787 Lontang kembang tanjoeng 788 Lontang loeng-loengan 789 Madoe Gondo 790 Madoe sinirat 791 Madoebrontá latar poetih. 792 Maliawan 793 Mándákaki 794 Manggaran 795 Manggisan 796 Mangkara 797 Manindras 798 Manoek alap-alapan 799 Manoek bango 800 Manoek barlin	801 Manoek bèloek 802 Manoek béri 803 Manoek dewátá 804 Manoek endol-endol 805 Manoek géntayoe 806 Manoek grigit 807 Manoek jatayoe 808 Manoek jiwátá oenjab 809 Manoek jonggrang 810 Manoek kablak 811 Manoek kèpèt 812 Manoek koeroeng 813 Manoek Krésna 814 Manoek manyoerá 815 Manoek mibèr 816 Manoek parang 817 Manoek ráwá 818 Manoek tarate 819 Manoek taroeng 820 Manoek tatit 821 Manoek Tjohoeng 822 Mantarsih 823 Margodadi 824 Mari-kangèn 825 Maroeto 826 Mas Ginoendjing 827 MaTjan kobar 828 MaTjan-maTjanan 829 Mawar Sari 830 Mboedoer 831 Mégat-roeh 832 Melati Selangsang 833 Melati selangsang latar poetih 834 Melati sepasang 835 Melati sedompol 836 Melinjon 837 Mémétahan 838 Ménjangan gringsing 839 Mentoel 840 Ményan kobar 841 Mérak angrém 842 Mérak kasimpir 843 Mérak ménTjélok 844 Mérak mènTjit 845 Mérak mibér 846 Mèrak ngigèl 847 Mérak ngigél latar poetih 848 Mérak simpir 849 Mèrang bodol 850 Mërang bodol latar poetih	851 Merang Kedjer 852 Mérang kedjer latar poetih 853 Meroe 854 Mideringrat 855 Mimilahan 856 Mindrasmárá 857 Mirong 858 Mirong latar iréng 859 Mlati rinontje 860 Mlindjo latar poetih 861 Mliwis 862 Mloyo 863 Moblong 864 Modang 865 Modang rawan 866 Modang Solo 867 Moelyo djati 868 Moelyowati 869 Nágá bisikkan latar poetih 870 Naga boelët latar irèng 871 Nägá dani latar iréng 872 Nágá gini latar poetih 873 Naga kirig latar irëng 874 Nágä latar poetih 875 Nágä pëksi latar iréng 876 Nägä poespá latar iréng 877 Nágá sásrá latar ireng 878 Nágá tápá latar iréng 879 Nágágini 880 Nagan 881 Nágáráyä 882 Nagäsari 883 Nagasari latar irëng. 884 Nagásásrá 885 Nágátápá 886 Nágátoemálá 887 Nam tikër latar poetih 888 Nam Batik 889 Nam-namman latar poetih 890 Nampan perak 891 Natar biron 892 Ngoelandoro 893 Niklang ngedi 894 Noes-noesan 895 Nogo djoyo 896 Nogo Gini 897 Nogo poespa 898 Nogo Rodjo 899 Nogo Sadjodo 900 Nogo Sinanding
901 Nogo Sosro 902 Nogo Topo 903 Nogo Wono 904 Nogo Yono 905 Nogosari 906 Nyaton 907 Nyoek 908 Obar 909 Obar-abir 910 Oebin 911 Oedan liris 912 Oedan liris latar poetih 913 Oedan mas 914 Oedan Tjaho 915 Oekèl pakis 916 Oekël pakis latar poetih 917 Oelá gonjing 918 Oelá toeroe 919 Oelèr kambang 920 Oelèr kambang latar poetih 921 Oempak 922 Oendoek alit 923 Oentoek banjoe latar iréng. 924 Oentoek banyoe 925 Oentoek banyoe ise 926 Oentoek banyoe nag 927 Oentoek soengoet 928 Oerang ajoe latar iréng 929 Oerang ayoe 930 Oerang oerangan latar irëng. 931 Oerang pletas. 932 Oerang sikat 933 Oerang-oerangan. 934 Oetjeng oedik 935 Oetil oetil gèndongan latar iréng 936 Oetjéng moedik latar poetih 937 Onang-onang sakebon 938 Onengan 939 Onëngan latar irëng 940 Ongko Widjoyo 941 Orak-arik 942 Orang Aring 943 Pagér Kétimoen 944 Pagersari 945 Pagi-Sore 946 Pakis 947 Pakis Tadji 948 Pakoeningrat latar poetih. 949 Palang 950 Pamiloeto	951 Pandan Iris 952 Pandan Leres 953 Pandèlégan 954 Panggang Lele 955 Panjang Gowang 956 Panjen Kasar 957 Panji 958 Panji Aloes 959 Panji Gènting 960 Panji Kénángá 961 Panji Kènari 962 Panji Kérémèk 963 Panji Késémèk 964 Panji Kintir 965 Panji Koeroeng 966 Panji Koyak 967 Panji Lintrik 968 Panji Mari-Kangen 969 Panji Nitik 970 Panji Oebin 971 Panji Sékétip 972 Panji Sérang 973 Panji Sérit 974 Panji Sikat 975 Panji Sisik 976 Panji Sosi 977 Panyi Tangkok 978 Papah Aren 979 Parang Angkik latar poetih 980 Parang Baladewa 981 Parang Baris 982 Parang Baris latar poetih 983 Parang Barong 984 Parang Barong Koetai 985 Parang Bintang latar irëng 986 Parang Blanggrëng latar poetih 987 Parang Daon 988 Parang Dimpil latar poetih 989 Parang Djenggot 990 Parang Djènggot latar poetih 991 Parang Esti latar poetih 992 Parang Gantoeng. 993 Parang Geloeng latar poetih 994 Parang Gendreh 995 Parang Godong 996 Parang Gondá latar poetih 997 Parang Gondokoesoema 998 Parang Gondosoeli 999 Parang Jejer 1000 Parang Jenggot	1001 Parang Kagok 1002 Parang Kaos latar irëng 1003 Parang Karná 1004 Parang Kémbang 1005 Parang kémbang latar poetih 1006 Parang Kembang Manggar 1007 Parang Kembang Tjoeboeng 1008 Parang Kèrná 1009 Parang Kesit 1010 Parang Késoelá. 1011 Parang Kirná latar poetih 1012 Parang Kirno 1013 Parang Kiting. 1014 Parang Klitik 1015 Parang Koeroe. 1016 Parang Koeroeng 1017 Parang Koeroeng latar irëng 1018 Parang Koesoemá latar poetih 1019 Parang Koesoemo 1020 Parang Krantil latar poetih 1021 Parang Kreno Srimpet 1022 Parang Krésná. 1023 Parang Laoet latar irëng 1024 Parang Lapis Troemtoem 1025 Parang Liris Glebak 1026 Parang Loreng. 1027 Parang Manggar. 1028 Parang Menang latar poetih 1029 Parang Mènang. 1030 Parang Méndoeng. 1031 Parang Ngèsti latar iréng 1032 Parang Oedet 1033 Parang Oekél latar poetih 1034 Parang Oekél. 1035 Parang Oelá latar poetih 1036 Parang Pakis latar poetih 1037 Parang Pakis. 1038 Parang Pamor 1039 Parang Pantjing latar poetih 1040 Parang Pari 1041 Parang Paroeng 1042 Parang Paroeng latar poetih 1043 Parang Peksi 1044 Parang Pléntong 1045 Parang Poespo 1046 Parang PoeTjang Klitik 1047 Parang Prajoeri 1048 Parang Ratoe Ratih 1049 Parang Reh. 1050 Parang Réjèng
1051 Parang Roesak 1052 Parang Roesak Kagok latar poetih 1053 Parang Roesak Klitik poetih 1054 Parang Roesak. 1055 Parang Sarpá latar poetih 1056 Parang Sarpakenaka 1057 Parang Sarpo 1058 Parang Sawoet 1059 Parang Sawoet latar poetih 1060 Parang Sélimpét 1061 Parang Semanggi 1062 Parang Sinoengging 1063 Parang Sisik. 1064 Parang Sobrah 1065 Parang Sobrah latar poetih 1066 Parang Soeli 1067 Parang Soeli latar poetih 1068 Parang Sonder 1069 Parang Sondèr latar poetih 1070 Parang Sonder. 1071 Parang Srimpi 1072 Parang Sroewá. 1073 Parang Tjanthel 1074 Parang Tjentoeng 1075 Parang Tèdjá latar poetih 1076 Parang Templek 1077 Parang Tjantèl latar poetih 1078 Parang Tjantel. 1079 Parang Tjengger latar poetih 1080 Parang Tjéntoeng 1081 Parang Tjéntoeng latar poetih 1082 Parang Tjinde 1083 Parang Tjindé latar poetih 1084 Parang Toeding 1085 Parang Wénang 1086 Parang Westi. 1087 Parang Yoengoet. 1088 Pare Anom 1089 Pare Wánáran 1090 Pari Sewoeli 1091 Parikésit. 1092 Pátáwálá. 1093 Patjar banyoe 1094 Peksi Adji 1095 Peksi Andong 1096 Peksi Bangoen Topo 1097 Pëksi Bido latar poetih 1098 Pëksi Blekok latar poetih 1099 Pëksi Darès latar poetih 1100 Peksi Gagak	1101 Pëksi Gagak latar irëng 1102 Pëksi Ganggëng latar iréng 1103 Pëksi Garoeda latar ireng 1104 Peksi Handon 1105 Péksi Handon latar poetih 1106 Pëksi Hoek latar iréng 1107 Peksi Kablak 1108 Péksi Kablak latar ireng 1109 Peksi Karing 1110 Peksi Kingkin 1111 Péksi kingkin latar poetih 1112 Peksi Kirna 1113 Peksi Koeroeng 1114 Peksi Koeroeng Latar Poetih 1115 Peksi Koewon 1116 Pëksi koewon latar poetih 1117 Pèksi Makoetá latar poetih 1118 Péksi Makoetä Rámá 1119 Péksi Manjoerá latar poetih 1120 Pëksi Oerang-oerangan irëng 1121 Pëksi Oetér latar poetih 1122 Peksi Orang orangan 1123 Peksi Rodjo 1124 Peksi Sikatan 1125 Pëksi Sikattan latar poetih 1126 Péksi Slènggrëng latar poetih 1127 Peksi Sonder 1128 Pèksi Taman latar poetih 1129 Peksi Tjangkloeng 1130 Pëksi Tjangak latar Poetih 1131 Pëksi Tjatoer latar iréng 1132 Pèksi Ziema 1133 Pèlaboehan Kamal 1134 Pélamboeng. 1135 Peleman latar poetih 1136 Pélëmman latar irèng 1137 Pèlëmman latar poetih 1138 Péndá-Péndá. 1139 Pendeleggan 1140 Péndëléggan latar poetih. 1141 Pendelikan 1142 Péngada 1143 Peni 1144 Perak Sinampan 1145 Pèrang Ménang 1146 Pérang Roesak 1147 PéTji Mayar. 1148 Pilih Asih 1149 Pilih Asih latar poetih 1150 Pinggiran	1151 Pintoe Ráyá. 1152 Pintoe Retno 1153 Pisang Woengkoel 1154 Pisang Bali 1155 Pisang Bali latar iréng 1156 Pisang Bali latar poetih 1157 Pisang Bali. 1158 Pisang Gono 1159 Platoek Bawang 1160 Plentong 1161 Poedak Mekar 1162 Poeng Garoedá 1163 Poengpoengan 1164 Poepá 1165 Poepoeyingan 1166 Poerbá 1167 Poerbákárá 1168 Poerbákoesoemá 1169 Poerbanegara 1170 Poerbanegarä latar irëng. 1171 Poerbaningrat 1172 Poerbaningroem 1173 Poerbaningsih 1174 Poerbáwijáyá 1175 Poerbonegoro 1176 Poerbosari 1177 Poerwo Retno 1178 Poespá Kérná 1179 Poespa Toeoedjoeng latar poetih . 1180 Poespá Wilis 1181 Poesporini 1182 Poe Tjoek Réboeng 1183 Poetri Solo 1184 Pongkang Sèmboja 1185 Pongpongan. 1186 Pontang in va 1187 PonTjot 1188 Potong Wayik 1189 Praboe Anom 1190 Praboe Romo 1191 Praboe Set 1192 Pragi Pringgi. 1193 Pramoegari 1194 Prang 1195 Prènis 1196 Pring Sédapoer. 1197 Pringgádani 1198 Pringgondani 1199 Proklamasi 1200 Radjo oeret
1201 Rägáhinä latar iréng 1202 Rámá gandroeng. 1203 Rámá. 1204 Ramboetan 1205 Ránggá 1206 Ránggá Poespitá. 1207 Ránggá Warsitá. 1208 Rangsang 1209 Rawan 1210 Ráyá Oeret 1211 Règoelá 1212 Régoelá Ngawi 1213 Regoelon 1214 Régoelon latar irëng (zie no hiervoren) 1215 Rëgoelon Siwallan latar poetih 1216 Rèmbang KaTjina 1217 Rémbang Rangoe. 1218 Rémboen. 1219 Réméng 1220 Rënggá latar irëng 1221 Rënggä Poespitä latar iréng 1222 Rengganis 1223 Réngganis latar iréng 1224 Réngganis. 1225 Reni 1226 Reyeng 1227 Ripi koening 1228 Riti riti 1229 Ritik. 1230 Riti-riti latar poetih 1231 Roempoek. 1232 Roeyak Sente ka 1233 Roeyak Sente. 1234 Roeyak Talés. 1235 Roeyak Woeni. 1236 Roeyak Yèroek. 1237 Rogohino 1238 Ron Semanggi 1239 Rondä Widätä latar poetih 1240 Rondo Widata 1241 Ronyokan. 1242 Sabagi 1243 Sábá-láná. 1244 Sákárini 1245 Salah ing Rahim 1246 Salak Sategal 1247 Salak Sategal latar poetih. 1248 Salak Tégal 1249 Salendro. 1250 Salobog.	1251 Sang Kobak 1252 Sang Nágá 1253 Sangga Langit. 1254 Sanggá Lewang. 1255 Sapit Oerang 1256 Sarang Boeroeng 1257 Sarasah 1258 Saroeng Sorotan, 1259 Satrijäwibäwá latar ireng. 1260 Satrio Wibowo Djangkep 1261 Satriyá Laláná. 1262 Satriyá Wibáwá. 1263 Satriyo Manah 1264 Sawah Sakèdok. 1265 Sawat Birowo 1266 Sawat Boekoeran. 1267 Sawat Bomá. 1268 Sawat Gándáwijaya 1269 Sawat Garoedá 1270 Sawat Géde. 1271 Sawat Gendong. 1272 Sawat Goenáwiyá 1273 Sawat Jéngoet. 1274 Sawat Kèmanten. 1275 Sawat Kèmbang. 1276 Sawat Kétandan 1277 Sawat Koepon. 1278 Sawat Loehoer 1279 Sawat Loka 1280 Sawat Manjoerá. 1281 Sawat Megáméndoe 1282 Sawat Ngeni 1283 Sawat Oelá. 1284 Sawat PaTjar 1285 Sawat Pènganten 1286 Sawat Poetro 1287 Sawat Rámá. 1288 Sawat Sálá. 1289 Sawat Sawér 1290 Sawat Séroenen. 1291 Sawat Soewiri Oek 1292 Sawat Soewiri. 1293 Sawat Tjoewiri 1294 Sawat. 1295 Sawen. 1296 Sawo Sémpal latar iréng. 1297 Sawo Sèmpal. 1298 Sawoeng Galing. 1299 Sawoet 1300 Sébagi	1301 Sedah Manyar 1302 Sedah Mirah 1303 Sékar 1304 Sekar Aroem Daloe 1305 Sekar Djambe 1306 Sekar Djati 1307 Sekar Giwang 1308 Sekar Gondoriyo 1309 Sekar Kapas 1310 Sekar KaTjang 1311 Sëkar Katjang latar iréng 1312 Sekar Keben 1313 Sekar Kepel 1314 Sekar Mondoliyo 1315 Sekar Polo 1316 Sekar Ratoe 1317 Sekar Remoedjoeng 1318 Sekar Sidogoeri 1319 Sekar Soekoen 1320 Sekar Soeryo 1321 Sekar Tate 1322 Sekar Teboe 1323 Sekar Teleng 1324 Sekar Temoe 1325 Sekar Waroe 1326 Sélimpèt 1327 Sélobog 1328 Sélobog Asmárád 1329 Sélobog Jántrá 1330 Sèlobog Lar-lar 1331 Sélobog Tjoeken. 1332 Semanggi 1333 Sèmangkan 1334 Semar Mesem 1335 Sëmarangan 1336 Sembagen 1337 Sembagen Anggrek 1338 Sèmbagen Gambir 1339 Sèmbagèn Hoek latar poetih 1340 Sèmbagen Kalong 1341 Sembagen Kembar 1342 Sémbagen Mènor 1343 Sèmbagen Ombak. 1344 Sémbagen Tjèloem 1345 Sèmbagen Tjérip 1346 Sémbagen. 1347 Sémbagi 1348 Sémen 1349 Semen Alit 1350 Sémen Angreni
1351 Sëmèn Antenar latar iréng 1352 Sémen Arjoená W 1353 Sémèn Baitá latar irèng 1354 Semèn Bèloek latar ireng 1355 Sëmèn Dèmpèt latar poetih 1356 Semen Djali 1357 Semen Djlekitit 1358 Semen Djlengoet 1359 Sëmèn Djlëngoet Garoedá latar poetih 1360 Semen Djogdja 1361 Sémèn Djolèn latar poetih 1362 Semen Gagakkan latar irèng 1363 Sèmèn Gédé latar iréng 1364 Sémèn Gëdé wragas poetih 1365 Sèmen Géde. 1366 Sëmèn Gèndong later irëng 1367 Sémen Gendong. 1368 Semen Giwang 1369 Semen Goenoeng 1370 Sémèn Goenoeng latar irèng 1371 Semen Goerdo 1372 Semen Goerdo Raddjo 1373 Semen Hok 1374 Sémen Jaléngoet 1375 Sémèn Jogjá latar irëng 1376 Sèmen Joli 1377 Semen Kagok 1378 Semen Kaloeng 1379 Sémèn Kaloeng latar poetih 1380 Semen Kasoet 1381 Sëmèn Kasoet latar irëng 1382 Sèmèn Katé latar poetih 1383 Semen Kebon 1384 Sëmèn kébon latar iréng 1385 Semen Kemladeyan 1386 Semen Keong 1387 Semen Kidang 1388 Semen Kipas 1389 Sèmèn Kipas latar irèng 1390 Semen Kladoek 1391 Sèmen Klawer 1392 Sëmèn Klèwèr latar poetih 1393 Sëmèn Koekilä latar iréng 1394 Semen Koekilo 1395 Sëmèn Koemboel latar irén g 1396 Semen Koeroeng Latar Poetih 1397 Sëmén Koewas latar poetih 1398 Semèn Kroen latar poetih 1399 Sëmèn Kroton latar poetih 1400 Semen Ladjoer	1401 Semen Loe 1402 Semen Lombok 1403 Sémèn Lombok latar irëng 1404 Sémèn Malèbari latar poetih 1405 Semèn Manjoera latar poetih 1406 Semen Menoro 1407 Semen Moelwo 1408 Semen Ngreni 1409 Sëmèn Ngrèni latar ireng 1410 Semen Oewer 1411 Sémèn Pèrsi latar iréng 1412 Sëmèn Pété latar poetih 1413 Sémèn Poering latar poetih 1414 Sémèn Poetér latar irëng 1415 Semen Pot 1416 Sëmèn Pot latar irëng 1417 Sémèn Praboe latar poetih, 1418 Sëmèn Prit latar poetih 1419 Semen Ragas 1420 Sëmèn Rámá latar poetih 1421 Sémen Rámá. 1422 Sémen Ranggas. 1423 Semen Rayoeng 1424 Semen Redjoenowidjoyo 1425 Sémen Réméng 1426 Sëmen Rëmëng latar irëng 1427 Sèmen Réngga 1428 Semen Roegos 1429 Semen Romo 1430 Semen Samoet 1431 Sèmen Sandi 1432 Semen Sawoet 1433 Semen Semeroe 1434 Semen Sidodadi 1435 Semen Sinom 1436 Sëmèn Sinom latar iréng 1437 Semen Sinto 1438 Semen Sirap 1439 Semen Slendri 1440 Sëmèn Sligi latar irëng 1441 Semen Sonder 1442 Sémen Sorásari 1443 Sémèn Srowot latar irëng 1444 Semen Tjoeboeng 1445 Semen Tjondro 1446 Sèmen èloeki 1447 Sémen Tjándrä. 1448 Sémen Tjélèkiti 1449 Sëmèn Tjèplokkan latar jrëng 1450 Sémen Tjilik	1451 Sémen Tjoewiri, 1452 Sémèn Tjondrä latar poetih 1453 Sëmèn Tjonil latar iréng 1454 Semen Tloetoer 1455 Sémen Tokol 1456 Sèmen Tritis 1457 Sèmèn Tritis latar poetih 1458 Semen Wose 1459 Sémèroe latar irëng 1460 Semoe Liris 1461 Sèmoekirang 1462 Sénggoeh 1463 Senggrang Nágás 1464 Senggreng 18 1465 Séprantoe 1466 Sérasah 1467 Sérasah Kébar, 1468 Sérasah Tjara M 1469 Seret. 1470 Seroem Wayang 1471 Seroenen 1472 Sèroeni Landak. 1473 Seto Koemiter 1474 Sidá Loehoer latar irëng 1475 Sidä Rëdjä latar poetih 1476 Sidagoeri. 1477 Sidämoekti latar irëng 1478 Sidangan 1479 Sido Asih 1480 Sido Loehoer 1481 Sido Loewoeng 1482 Sido Moekti 1483 Sido Moelyo 1484 Sidodadi 1485 Sidogori 1486 Sidokarso 1487 Sidoredjo 1488 Sidowoeyoeng 1489 Simá Ngalih 1490 Sinyang Giro. 1491 Sirah Gloendoengan 1492 Sirah Gloendoengan latar irëng 1493 Sirapan 1494 Sirappan latar irèng 1495 Sisirangan 1496 Slènggréng latar poetih 1497 Slobok 1498 Slobok Djamang 1499 Slobok Djamang latar irëng. 1500 Slobok Sekar Asem
1501 Slobok Sékar Asém latar ireng. 1502 Slobok Tjoekèn latar poetih. 1503 Slobrak 1504 Sobrah 1505 Sobrah latar iréng. 1506 Sobrah latar poetih 1507 Sobrang Gending 1508 Sobrang latar poetih 1509 Soebagi 1510 Soekmá Angén 1511 Soekowati 1512 Soelaman 1513 Soelamman latar iréng 1514 Soemäningrat latar irëng. 1515 Soemarsáná latar iréng 1516 Soemarsono 1517 Soemayar. 1518 Soembar Lintang 1519 Soemèdang. 1520 Soemping 1521 SoendoeI Langit. 1522 Soepit Kèpiting. 1523 Soepit Oerang 1524 Soepit Oerang latar iréng. 1525 Soeri Yáwá 1526 Soewiri 1527 Sogan Yéne 1528 Sogokan 1529 Sokorini 1530 Songgälangit latar poetih 1531 Sonyang 1532 Sorasari 1533 Sorasari Goemyoer 1534 Sorot 1535 Sorotan 1536 Srengengen 1537 Sri Dento 1538 Sri Koen Tjoro 1539 Sri Noegroho 1540 Sri Redjeki 1541 Sri Soewelo 1542 Sri Wedari 1543 Sri Wedari Tjeplok 1544 Sri Widadi 1545 Sriasih 1546 Sridadi 1547 Sridéntá 1548 Sridéntá Yoemáp 1549 Srigading latar irëng. 1550 Sriganti	1551 Srikandi. 1880. 1552 Srikaton 1553 Srikoyo 1554 Sripénah190 1555 Sriyatno 1556 Sroeni Landak latar irëng 1557 Talépokan 1558 Taloeki 1559 Tambal 1560 Tambal Kanomman. 1561 Tambal latar irëng. 1562 Tambal Miring. 1563 Tandjoeng Anom 1564 Tandjoeng Goenoeng 1565 Tanyoeng Beyo. 1566 Tapak Koetjing latar iréng 1567 Tapih KéTjil 1568 Tapih Sérasah. 1569 Tapih Talèpokan 1570 Tapih Tjinde. 1571 Taplak Latar Poetih 1572 Tarate 1573 Taroek Hata 1574 Taroepala 1575 Tatagati 1576 Tatit latar poetih 1577 Tatit Sawat 1578 Tjabe Rawit 1579 Tjakar Melik 1580 Tjakar Wok 1581 Tjakrawati 1582 Tjampoer Sari 1583 Tjandi Sastro 1584 Tjandra Koela 1585 Tjangklet 1586 Tjemoekiran Oosthoek 1587 Tjemoekiran Solo 1588 Tjemoekiran Yogya 1589 Tjenderawasih 1590 Tjendhani 1591 Tjepaka Moelya 1592 Tjepaka Sari 1593 Tjeplok Baris Kondoer 1594 Tjeplok Bibis 1595 Tjeplok Bintaroeng 1596 Tjeplok Birowo 1597 Tjeplok Blibar 1598 Tjeplok Djanoer Wendho 1599 Tjeplok Djloedjoet Roentoeng 1600 Tjeplok Ganggong	1601 Tjeplok Goesti Poetri 1602 Tjeplok Grameh 1603 Tjeplok Gringsing 1604 Tjeplok Kaos 1605 Tjeplok Kasatriyan 1606 Tjeplok Kawoeng Ningrat 1607 Tjeplok Kelan 1608 Tjeplok KeTji 1609 Tjeplok Kitiran 1610 Tjeplok Koesnia 1611 Tjeplok Koewari 1612 Tjeplok KoTji 1613 Tjeplok Kridodekso 1614 Tjeplok Lestari 1615 Tjeplok Loeng Kastlop 1616 Tjeplok Madoebronto 1617 Tjeplok Madoesari 1618 Tjeplok Manggis 1619 Tjeplok Mekar 1620 Tjeplok Melati 1621 Tjeplok Mendoet 1622 Tjeplok Moealangsih 1623 Tjeplok Moendoe 1624 Tjeplok Oentoek Banyoe 1625 Tjeplok Onde onde 1626 Tjeplok Pandiliran 1627 Tjeplok Paripoerno 1628 Tjeplok Pergiwo 1629 Tjeplok Pintoe Retno 1630 Tjeplok Poerbo Negoro 1631 Tjeplok Poewoko 1632 Tjeplok Proboaroem 1633 Tjeplok Renggo Poespito 1634 Tjeplok Sarimadoe 1635 Tjeplok Sekti Bali 1636 Tjeplok Sidomoen Tjoel 1637 Tjeplok Sidowayah 1638 Tjeplok Soebosito 1639 Tjeplok Soekoreno 1640 Tjeplok Soesilo 1641 Tjeplok Sriwedari 1642 Tjeplok Tata Gati 1643 Tjeplok Tjakrakoesoema 1644 Tjeplok Trenggiling 1645 Tjeplok Wibowo 1646 Tjeplok Widoro Laoet 1647 Tjeplok Wora wari 1648 Tjepoko Moelya 1649 Tjindelaras 1650 Tjloentang
1651 Tjoerigo 1652 Tjoewiri 1653 Tjoewiri Djogdjo 1654 Tjoewiri Gembel 1655 Tjoewiri Kartiko 1656 Tjoewiri Solo 1657 Tjokro Wibowo 1658 Tjokrobowo 1659 Tjokrokoesoemo 1660 Tjorang Tjakrik 1661 Tebeng 1662 Tëbëng latar iréng 1663 Teblem 1664 Tedjomaya 1665 Tèkek Koeroeng 1666 TèlaTjap 1667 TèlaTjap Kékémb 1668 TèlaTjap Loengloe 1669 TèlaTjap Saroeng 1670 Telekoen Angrem 1671 Tëlëkoen Angrëm latar poetih 1672 Télépoekan 1673 Tèloeken 1674 Téloeki 1675 Téloeki Tjendol. 1676 Tèrang 1677 Terang Boelan 1678 Tërang Boelan latar poetih 1679 Terongan 1680 Thoembs 1681 Tilar sa 1682 Ting latar poetih 1683 Tirtätèdja latar irëng 1684 Tirtotedjo 1685 Tjakar Ayam 1686 Tjakar latar irëng 1687 Tjakar Mélik latar ireng 1688 Tjakar Wok latar irëng 1689 Tjákrá 1690 Tjákrá Koesoemá. 1691 Tjakra Latar ireng. 1692 Tjakrakoemá latar iréng. 1693 Tjákräwála latar irëng. 1694 TjalaTjap 1695 Tjaloentang 1696 Tjampoer Bawoer. 1697 Tjándrá. 1698 Tjangapan 1699 Tjangklet 1700 Tjangkring	1701 Tjanklët latar poetih 1702 Tjap Kèyen 1703 Tjap Limar 1704 TjaTjing Sépiri 1705 Tjèbongan latar iréng. 1706 Tjeleng Kawénge 1707 Tjeleng Krokot. 1708 Tjeleng Mogok. 1709 Tjémárä 1710 Tjémékirang 1711 Tjémpáká 1712 Tjèmpáká Gondok 1713 Tjémpáká Kayon. 1714 Tjémpáká Moelyá 1715 Tjèmpaloekan 1716 Tjentel 1717 Tjepiring 1718 Tjèplok 1719 Tjéplok Bajém latar poetih. 1720 Tjéplok Banyi. 1721 Tjéplok Baroya 1722 Tjéplok Bendi 1723 Tjéplok Bintangan latar ireng. 1724 Tjéplok Bintara 1725 Tjëplok Bintaroem latar irëng 1726 Tjéplok Bogém. 1727 Tjèplok Danoerèd 1728 Tjèplok éndog. 1729 Tjéplok éntoeng. 1730 Tjéplok époen 1731 Tjèplok Goerameh 1732 Tjeplok Gori latar iréng. 1733 Tjeplok Gramèh latar ireng. 1734 Tjéplok Gringsi 1735 Tjèplok Kèdá 1736 Tjeplok Këlan latar poetih. 1737 Tjeplok Kénari latar ireng. 1738 Tjèplok KeTji. 1739 Tjeplok Koeroeng latar irëng 1740 Tjëplok Koesniä latar poetih. 1741 Tjéplok Koewari latar poetih. 1742 Tjeplok Kotji latar irëng. 1743 Tjéplok Lintang 1744 Tjèplok Liring. 1745 Tjèplok Manggis 1746 Tjeplok Manggis latar irëng 1747 Tjëplok Mendoet latar poetih 1748 Tjèplok Ménoer. 1749 Tjéplok Mlindjo latar poetih. 1750 Tjëplok Moendoe latar ireng.	1751 Tjéplok Ondé-ondé. 1752 Tjeplok Pálá latar poetih. 1753 Tjéplok Piring. 1754 Tjèplok Pohon 1755 Tjéplok PoTji. 1756 Tjéplok Praksi. 1757 Tjeplok Ranté latar poetih 1758 Tjëplok Sawo latar irëng. 1759 Tjeplok Setlop latar poetih. 1760 Tjéplok Slobok latar iréng. 1761 Tjéplok Tahoe. 1762 Tjèplok Tebok. 1763 Tjéplok Téloeki. 1764 Tjeplok Timang latar poetih. 1765 Tjéplok Tjangki 1766 Tjépoek Rante 1767 Tjépoek Rémoek 1768 Tjéréméndé latar iréng. 1769 Tjinde latar ireng 1770 Tjindé Wilis latar irëng. 1771 Tjinde Wilis. 1772 Tjinden 1773 Tjipta Rèngga. 1774 Tjitá, Tjitah. 1775 Tjloentang latar ireng. 1776 Tjoemèngkirang. 1777 Tjoewiri 1778 Tjoewiri latar irëng 1779 Tjokrak Tjakrik latar irëng 1780 Tloeki 1781 Tloeki latar poetih 1782 Toempal 1783 Toempal Kampoeng 1784 Toempal Koepoe 1785 Toempal Lintang 1786 Toendjoeng Karoban 1787 Toendjoeng Karobban latar irëng. 1788 Toendjoeng Rante latar irëng 1789 Toendjoeng Tirtä latar irèng 1790 Toendjoeng Tirto 1791 Toenjoeng 1792 Toenjoeng Karoba 1793 Toenjoeng Madoerá 1794 Toenjoeng Manoek. 1795 Toeronggo Djati 1796 Trang Boelan 1797 Trang Lintang. 1798 Trate 1799 Trate Kémbang 1800 Trate Koeroeng

 These days, we may haven't heard some of the patterns above because they are extinct. It is our job to save the remaining motifs. Anyway, what kind of motifs do you like most? Please share with us about your favorite Batik's motifs.

Click here to read more!

Batik: Definition and History

It may be said that batik is an art form which developed in Java (Indonesia), specifically Central Java. This statement pertains to the method of batiking; the ornamentation itself developed as a harmonisation of various influences exerted by other cultures.
So, what is batik?


Definition of Batik
Batik is a drawing or a painting or a form of writing on cotton cloth, applied with the aid of tool called canting. Drawing or painting or writing onto the cotton cloth by an artist or artisan is termed membatik, or in English, batiking. Batiking produces batik in the form of various motifs which have specific characteristics which are passed onto the batik cloth.
Through further development, other tools have come into the existence facilitating the batik process, for example the chap or printing block. Such block-printing produces motifs identical to batik, but the resultant fabric are, in reality, no longer batik. The quality of the blocked ornamentation which forms a cloth decorated with batik-like motifs can't possibly be compared to that of a true batik. Nevertheless, today both are called batik by the public at large. To differentiate between the two, the designations "written" batik (i.e-hand painted) and "blocked" batik are used.
Parallel to tdevelopments in modern technology, the method of batiking has been streamlined. The new technique produces a cloth ornamneted like batik. However, since the product is no longer batik, it is more appropriate to call it batik-motifed cloth.
Finally, artists are incorporating batik ornamentation and batikng in their work. The results are called batik paintings.

History of Batik 
It would be impossible to visit or live in Indonesia and not be exposed to one of the country's most highly developed art forms, batik. On your first visit to a batik store or factory you will undoubtedly experience an overwhelming stimulation of the senses - due to the many colors, patterns and the actual smell of batik. Only through repeated visits and a bit of study will the types of designs and their origins become apparent.
The word batik is thought to be derived from the word 'ambatik' which translated means 'a cloth with little dots'. The suffix 'tik' means little dot, drop, point or to make dots. Batik may also originate from the Javanese word 'tritik' which describes a resist process for dying where the patterns are reserved on the textiles by tying and sewing areas prior to dying, similar to tie dye techniques. Another Javanese phase for the mystical experience of making batik is “mbatik manah” which means “drawing a batik design on the heart”.
Although experts disagree as to the precise origins of batik, samples of dye resistance patterns on cloth can be traced back 1,500 years ago to Egypt and the Middle East. Samples have also been found in Turkey, India, China, Japan and West Africa from past centuries. Although in these countries people were using the technique of dye resisting decoration, within the textile realm, none have developed batik to its present day art form as the highly developed intricate batik found on the island of Java in Indonesia.
Although there is mention of 'fabrics highly decorated' in Dutch transcripts from the 17th century, most scholars believe that the intricate Javanese batik designs would only have been possible after the importation of finely woven imported cloth, which was first imported to Indonesia from India around the 1800s and afterwards from Europe beginning in 1815. Textile patterns can be seen on stone statues that are carved on the walls of ancient Javanese temples such as Prambanan (AD 800), however there is no conclusive evidence that the cloth is batik. It could possibly be a pattern that was produced with weaving techniques and not dying. What is clear is that in the 19th century batik became highly developed and was well ingrained in Javanese cultural life.
Some experts feel that batik was originally reserved as an art form for Javanese royalty. Certainly it's royal nature was clear as certain patterns were reserved to be worn only by royalty from the Sultan's palace. Princesses and noble women may have provided the inspiration for the highly refined design sense evident in traditional patterns. It is highly unlikely though that they would be involved in any more than the first wax application. Most likely, the messy work of dyeing and subsequent waxings was left to court artisans who would work under their supervision.
Javanese royalty were known to be great patrons of the arts and provided the support necessary to develop many art forms, such as silver ornamentation, wayang kulit (leather puppets) and gamelan orchestras. In some cases the art forms overlap. The Javanese dalang (puppeteer) not only was responsible for the wayang puppets but was also an important source of batik patterns. Wayang puppets are usually made of goat skin, which is then perforated and painted to create the illusion of clothing on the puppet. Used puppets were often sold to eager ladies who used the puppets as guides for their batik patterns. They would blow charcoal through the holes that define the patterns of clothing on the puppets, in order to copy the intricate designs onto the cloth.
Other scholars disagree that batik was only reserved as an art form for royalty, as they also feel its use was prevalent with the rakyat, the people. It was regarded an important part of a young ladies accomplishment that she be capable of handling a canting (the pen-like instrument used to apply wax to the cloth) with a reasonable amount of skill, certainly as important as cookery and other housewifery arts to Central Javanese women.
Batik has been both an art and a craft for centuries. In Java, Indonesia, batik is part of an ancient tradition, and some of the finest batik cloth in the world is still made there. Depending on the quality of the art work, dyes, and fabric, the finest batik tulis halus cloth can fetch several thousand dollars, reflecting the fact that it probably took several months to make. The Lawrence and Kauman areas in Surakarta, Indonesia are famous for fine batiks.
Contemporary batik, while owing much to the past, is markedly different from the more traditional and formal styles. For example, the artist may use etching, discharge dyeing, stencils, different tools for waxing and dyeing, wax recipes with different resist values and work with silk, cotton, wool, leather, paper or even wood and ceramics.
Batik has found worldwide popularity. Nelson Mandela wore a batik shirt on formal occasions, but the South Africans call it a Madiba shirt. The Malaysian singer Siti Nurhaliza wore an Indonesian kebaya and batik on her wedding day. The late mother of United States president Barrack Obama, Ann Dunham was an avid collector of Batik. In 2009, an exhibition of Dunham's textile batik art collection (A Lady Found a Culture in its Cloth: Barack Obama's Mother and Indonesian Batiks) toured six museums in the United States, finishing the tour at the Textile Museum^.
In Indonesia, batik popularity has its up and downs. Historically it was worn as part of a kebaya dress, which was widely used everyday. It waned during the 1960s till 1990s, because more and more women wore western clothes instead. Although its use where heavily incorporated in formal occasions especially in the Javanese royal occasions, the batik continued to wane in everyday lives. It reached a new revival in the 2000s with the effort of the Indonesian fashion designers, to revive batik and the kebaya altogether, they incorporate new colors, fabrics and patterns. Batik has become part of a fashion for young people in Indonesia, for casual wear it is normally worn as a shirt,dress or scarf. For a formal occasion, women normally wears it as part of a kebaya.

A traditional Batik Art has been known a few centuries ago in Java Island. If we search the improvement of batik in java, it can’t be separated from the improvement of batik art in Central Java, Yogya batik is a part of the batik art development in Central Java which had got the combinations of some motives from other places.
The course of “Yogya Batik” cannot be separated from Giyanti Treaty in 1755. Soon after Mataram Kingdom was devided into two parts, and Ngayogyakarta Hadiningrat was established, Mataram clothes were removed from Surakarta to Ngayogyakarta, so Sri Susuhunan Pakubuwono II ( The Previous King of Yogya) designed a new costume which was different from Surakarta traditional costume.
In Giyanti Village, the conference was held. Among the results were the area of Mataram was devided into two, one area was under the authority of Sri Paduka Susuhunan PB II in Surakarta Hadiningrat, another area was under the authority of Kanjeng Pangeran Mangkubumi who was after inaugurated as a king having a title Ngersa Dalem Sampeyan Dalem Ingkang Sinuwun Kanjeng Sultan Hamengkubuwono Senopati ing Ngalaga Ngabdul Rachman Sayidin Panatagama Kalifatullah ingkang jumeneng kaping I, whose palace was then named Ngayogyakarta Hadiningrat.
All the heirlooms and palace properties were also devided into two parts. Mataram costume was brought to Yogyakarta , as Kanjeng Pangeran Mangkubumi wanted to maintain it. Therefore, Surakarta which was under the authority of Sri Paduka Susuhunan PB III designed a new costume and managed to make the traditional costume of Surakarta Kingdom as we can see up to now.

The characteristics of Yogyakarta style, there are two kinds of background or cloth basic colour. White and Black. Meanwhile the colour of batik can be white (mori cloth colour), dark blue blackish and dark brown.
“Sered” or the edge of cloth, white, was exerted not to mixed or soga enters sered, both for the cloth with white or black background.
The decoration, first: Geometry: stripe aslant line, crossing line or ceplok and kawung, anyaman and limaran as well.
The second decoration style : Non-Geometry : semen, lung-lungan and boketan.
The decoration style which is symbolic relates closely with Hindu-Java philosophy (Mrs. Nian S Jumena) among others are : Sawat symbolizes a crown or high powerful man, Meru symbolizes a mountain or earth, Dragon symbolizes water, Bird symbolizes wind or upper world, Fire tongue symbolizes fire.

Since the first time there had been prohibition cloth. Each Sultan who had reigned deserved to make the new rules or prohibition.

The last, Sri Paduka Sultan HB VIII made the new rule (revision) entitled Pranatan dalem bab pengangge keprabon ing Nagari Ngayogyakarta Hadiningrat ( The King’s Rule of Royal Clothes in Ngayogyakarta Hadiningrat Palace), which was published in Rijksblad van Djokjakarta No. 19, in 1927. Pengangge Keprabon (Royal Costume) are cap or kuluk (wangkidan), dodot/kampuh and bebet prajurit (soldier wraparound cloth worn by man), bebet nyamping ( long cloth), trousers, and glisire (cindhe trousers,velvet,silk,catoon, and its slide),songsong or umbrella.
The prohibited batik motives : parang rusak (parang rusak barong, parang rusak gendreh < 8 cm, parang rusak klitik < 4 cm), semen ageng sawat grudha (gurdha), semen ageng sawat lar, udan riris, rujak senthe, parang-parangan which is not parang rusak ; how big it is depends on parang rusak size. All the Sultan’s (King’s) sons are allowed to wear those kinds of batik cloth. The queen’s batik costume is allowed to be the same with The Sultan (King). The other wives are allowed to wear parang rusak gendreh and others down. The first wife of KG Pangeran Adipati is the same with her husband. The other wives are allowed to wear parang rusak gendreh and others down. Also for KG Pangeran Adipati’s sons, their wives are the same with their husband ; and the previous prince (Pangeran Putra Sentana Panjenengan dalem Nata). Wayah Dalem (the King’s grand children) wear parang rusak gendreh and down, also for the King’s great grand children and the grand children’s children. The great grand children’s children (boys and girls) and down are allowed to wear batik parang-parangan which should have motive, prohibited to wear blank motive. Pepatih Dalem ( The Vice King) is allowed to wear parang rusak barong and others down. The Assistants : Pengulu Hakim (Judge), Wedana Ageng Prajurit (Soldiers), Bupati Nayaka jawi lan lebet (Outside and Inside Regents) are allowed to wear parang rusak gendreh and others down. Bupati Patih Kadipaten lan Bupati Polisi ( Vice Regents and Police Chief) are the same with the Assistants mentioned above. Penghulu Landrad ( Landrad Village Chief), Wedana Keparak para Gusti (Nyai Riya) or the village chief’s assistant, Bupati Anom (Junior Regent), Riya Bupati Anom (Junior Regent’s Assistant) parang rusak gendreh and others down. The servants and assistants whose positions are under Junior Regent’s Assistant and those who are not Junior Regent, those whose positions are Village Chief’s Senior Assisants also wear parang rusak gendreh and others down. Click here to read more!